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7 articles
A long litho run looks cheapest on the quotation, but the job does not finish when the pallets are wheeled off the press. This is a plain-spoken look at call-off schedules, pallet footprints, storage conditions and the arithmetic that decides whether holding stock beats reprinting more often.
Print that cannot be received is not finished. This checklist covers pallet weights, tail-lift access, split drops, packaging and timed deliveries so the last hundred metres do not undo the job.
Spot colour is a design choice with a manufacturing bill attached. This article breaks that bill into plates, wash-ups, press time, spoilage and scheduling risk, and sets out when a Pantone match is worth more than a four-colour build.
A signed proof is an agreement about a tolerance, not a promise of pixel-for-pixel fidelity. This piece sets out where contract proofs, digital proofs and screens diverge on a litho press, and the practical sign-off wording that keeps UK print buyers and printers on the same page.
Most litho budgets are argued over at page level, but the real arithmetic happens at the sheet edge. This guide explains how UK sheet sizes, imposition and trim waste interact — and how a small format or pagination change can release value without making the job look cheaper.
Most litho delays begin before the press runs, in files that are nearly right but not quite press-ready. This practical checklist covers bleed, colour, image resolution, fonts and overprint so print buyers can catch problems in ten minutes rather than three days.
The claim that digital is always cheaper and litho always better is a poor basis for a print decision. This guide sets out the real break-even factors for UK print buyers in 2026 and offers a practical rule-of-thumb table for choosing between offset litho and digital.